Thursday, November 20, 2014

Interview with E.H. Lupton, author of The Joy of Fishes

Interview with E.H. Lupton, author of The Joy of Fishes

E.H. Lupton lives in Madison, Wisconsin with her husband and various pets. In her spare time, she pursues a number of hobbies including running, baking, making things up, and taking naps.

Her novella, The Joy of Fishes, was published by Battered Suitcase Press in December of 2013.


When did you first realize you wanted to be a writer?

I was about twelve or thirteen and having an argument with my father about a TV show we both liked. I didn’t like the direction it was going in. My father challenged me to write my own version. I haven’t stopped since.

Why do you write?

I feel like I have stories to tell. Also, I don’t have a TV, and if I run too much my joints get angry, so I have to have a “sitting down” hobby.

Is being a writer anything like you imagined it would be?

No. When I was young I thought all writers just wrote full time. Also, I’m guessing I thought writing was easy. In fact I still want to believe that, because I am continually surprised by how difficult writing is—I keep hoping I’ll come around a bend in the road and suddenly find everything is a cinch.

What do you think makes a good story?

It has to have compelling characters and a good plot. Artistry of writing is nice, and if the story fails on plot, sometimes artistry can get you pretty far (I mean, look at Ulysses). But if it fails on characters, I don’t care about the rest.

What's your favorite genre to read?

Probably mysteries. I read a lot of genres, because I’m always reading things that people recommend or that I find somewhere, but left to my own devices I look for a mystery novel. I’m especially fond of hardboiled detective novels.

Who is your favorite author or poet?

This is a hard question. Raymond Chandler is up there. Salman Rushdie. James Joyce. Zora Neale Hurston. Thomas Pynchon, especially his more recent stuff, like Inherent Vice. I’m probably leaving out a lot of worthy names here, but I think if you’ve read any of these writers you might begin to detect a trend: I like incredibly well-written works with interesting characters and (in most cases) dense, complex plots that are funny and heart-wrenching by turns.

What books or stories have most influenced you the most as a writer?

Probably the biggest influence was James Joyce’s Ulysses. I learned from it that books don’t have to stick to a single topic; you can put all of life into them. This book, more specifically, was influenced also by Kurt Vonnegut’s Slaughterhouse-Five, Milan Kundera’s The Book of Laughter and Forgetting, and by Wandering on the Way, a collection of Daoist stories translated by Victor Mair.

What books or stories have most influenced you as a person?

I started down the path to study philosophy when I read Zen and the Art of Motorcycle Maintenance by Robert Persig. I think a lot of my work is deeply rooted in philosophy in general, though it’s not always as apparent as it is with The Joy of Fishes. As an undergraduate, I studied philosophy and Chinese, which led to me taking the class in Daoism that inspired TJoF.

More prosaically, my mom used to read me Kipling’s The Just-So Stories and a lot of the works of James Thurber, and I think both of those had a big influence on me.

Where/how do you find the most inspiration?

When I’m lucky (that is, when I’m not recovering from an injury), I do a lot of thinking when I’m out running. When I’m not able to run, driving or biking can have a similar effect. (I live in Wisconsin, so the window for biking is pretty small.)

What does your family think of your writing?

I think they’re proud. Maybe a bit surprised that this is what I do, but proud.

What is your work schedule like when you're writing?

While I was finishing my thesis recently, I would get up around 5:30 and write until 7ish (sometimes pausing earlier or later depending on whether the puppy needed to go out). After I took the dogs out, I put the thesis away and went to the gym for an hour. Then I’d be ready to go to my day job. I find it easiest to get things done in the morning when there are fewer distractions. I’m sleeping in a little later now though.

Do you have any writing quirks or rituals?

I really like to write off the computer—I write longhand quite a bit, and when I have the opportunity, I like to write on my grandmother’s old typewriter. It is about fifty years old and probably weighs twenty or thirty pounds. I really like the feeling of connecting with the keys. Also, I like being away from the Internet.

Is there anything you find particularly challenging in your writing?

The Internet. Especially when things get difficult, I have a hard time focusing. Also, I know that in the course of writing a first draft, there are going to be boring bits that will have to be cut out later. But I hate writing them down. I have to force myself to press forward.

What are your current projects?

I have a short story I’m rewriting, and a novel I’m doing the first draft of. There are probably a few other things, too. I pick stories up and put them down all the time.

What are you planning for future projects?

I don’t really know. Someday I’d like to do a graphic novel, if I ever meet an artist with whom I could work. But I don’t always know what I’m going to do ahead of time. I squirrel away little bits of information for the future all the time, but I don’t usually have a plan of what I’m going to do with them.

Do you have any advice for other writers?

No. I know enough to know that I know nothing.

Where else can we find your work?

I have a blog at pretensesoup.com where you can find all of (or a lot of) my comic “Em ơi!,” which chronicles my various adventures in a somewhat piecemeal and occasionally imaginary fashion. I’ve been drawing it since 2008ish, and have amassed nearly four hundred comics at this point, making it probably my longest-running work. I have had a story published in issue 6 of Greatest Uncommon Denominator/GUD (“Salad Days,” which can be found here: http://www.gudmagazine.com/vault/6/Salad+Days). And I have had a story published in issue 5 of a magazine called Wilde Oats, but it appears to have been archived and isn’t on their website right now (looks like it will be in the future though).

E.H. Lupton's The Joy of Fishes is available for immediate download from our website or your favorite ebook retailer. 

Mara Daniels is a physicist doing cutting-edge research into the nature of reality at the University of Chicago. She’s an astronomer. She’s an amateur student of Chinese philosophy. And she’s still recovering from last summer’s car crash that killed Benjamin Zhu, her fiancé. It’s a slow process; she can walk without a cane now, but she still suffers from migraines, nightmares, and seeing Zhu’s ghost everywhere she goes. The novella The Joy of Fishes follows her through the day on which these threads begin to unravel.

Thursday, November 6, 2014

Interview with Nancy Moore, author of The Vicar of Wrynbury

Interview with Nancy Moore, author of The Vicar of Wrynbury

Nancy Moore is originally from Northeastern Missouri and graduated from Truman State University with a degree in mass communication. She's worked in publishing, marketing, journalism, and in the non-profit field. She's dabbled with writing since childhood, winning a few awards for creative writing in her youth. It wasn't until later in life that her hobby developed into a serious pursuit. She is an unabashed Anglophile who lovesHarry Potter, Doctor Who, and Sherlock as well as any historical drama series to come out of the U.K. Nancy loves reading historical dramas, horror, biography, and non-fiction historical. She currently lives in St. Louis with "the greatest guy ever," her cat, and dog.

Her debut historical romance, The Vicar of Wrynbury, is set in the late Edwardian era, and was published by Vagabondage Romance in May of 2014. 

When did you first realize you wanted to be a writer? 

I dabbled even before I could really write very well. I would draw pictures and make storybooks when I was really little. I did various stories as I grew. In high school, I got third place in a creative writing competition through a university and it really advanced my daydreams of writing as a profession.

Why do you write? 

Because I have movies playing in my head. There are people in there, living stories and doing these great scenes that need to get out and on to paper. I’ve found that escaping into those story lands has been a great fantasy life for me. I can get away from real life, but also be creating something tangible too.

What do you think makes a good story? 

A good story is one that you never want to end and characters that you want to have contact with forever. My favorite stories are ones I go back and visit, especially in times of stress or unhappiness, and they comfort and soothe me like an old friend or warm, snuggly blanket.

What's your favorite genre to read? 

I love a good ghost story! A novel about a creepy house and mysterious haunting is such a treat that is rather hard to find. I also love biographies of the golden age of Hollywood stars. Usually their lives are very different than what was projected on screen or perpetuated by the big studios of the day.  

Who is your favorite author or poet? 

I discovered Margaret Mitchell’s Gone With the Wind when I was in junior high and it is still my favorite. Others include: Sarah Waters, Martha Grimes, Christopher Moore, and Audrey Niffenegger.

What books or stories have most influenced you the most as a writer? 

Sarah Waters's Affinity influenced me a lot for its pacing and style. The delicate mix of formal construction and sensuous context was really well crafted. I remember going through the last pages and feeling like I was on the fast downhill of a roller coaster.

What books or stories have most influenced you as a person? 

In college I had to read The Unbearable Lightness of Being by Kundera and was just amazed at how someone had put down in words a lot of the things I was struggling to understand as a young adult.

Where/how do you find the most inspiration? 

I’ve got a vivid imagination that has a bizarre trigger. A movie or a picture can start the ball rolling for me and begin a whole story arc.

What does your family think of your writing? 

My mother is my biggest cheerleader. She is an avid reader, and when I nervously let her read the first draft of my story she said to me, “This is as good as any book I’ve ever read. And I’ve read a LOT of books!”

What is your work schedule like when you're writing? 

Very unstructured. My first draft of my novel took a year and that was with working on it most days. But, I run hot and cold about writing. I’ll work on it for several days then not touch it for a week or a month or more. I won’t say that this is the best way to write, it’s just how it has worked for me in trying to make it a part of my busy life.  

Do you have any writing quirks or rituals? 

When I’m stuck I walk away. If I start cooking or ironing or doing anything that allows my mind to wander, I can usually work out a solution. 

Is there anything you find particularly challenging in your writing?

I’ve realized creativity is like a cat. It can’t be summoned on demand. You just have to leave the door open and hope it wanders in on its own.

What is unique about the Edwardian and WWI era that made you place this story at that time? 

I’ve always said I was born too late. The era of 1910-1930 is my favorite in many ways. There were many changes going on very quickly, especially for women. The world was progressing at an amazing pace. A lot of very old-fashioned notions and practices fell to the wayside as the world came into the twentieth century. Yet there is still this aura of romance, class, and formality. 

In what ways are the character of Anne and you alike? 

Anne is a lot like me, and I don’t know if anyone would believe me when I say that I’d never written a female character like that before. We both have had lives that didn’t turn out how we had expected and felt the need to nurture and cultivate positive relationships, not always with the best results. We both, also, went through changes when forced to be out on our own and learn from our struggles, which only made us stronger. The end of the novel reflected a lot of the change in my own life and my evolving views of love, romance, and lasting relationships.

What are your current projects?  

I have started a modern day ghost story and would like to see how I am able to do with this genre. 

What are you planning for future projects? 

I have another turn of the century drama-romance started but sitting on the shelf. It would be a tale taking place in St. Louis at the turn of the century and centering around another woman going through some difficult life changes that affect her views on the people around her and herself.

Do you have any advice for other writers?

It takes nothing to put it on paper. Write like no one will ever see it. Write for yourself and you may end up creating something everyone appreciates.


Nancy's debut historical romance, The Vicar of Wrynbury, is set in the late Edwardian era, and was published by Vagabondage Romance in May of 2014, and is available in print and ebook from our website or from your favorite online bookstore. 

As the Edwardian era fades into WWI, Cyril Dunstan, a man with a mysterious past, accepts the post as vicar in a small country town of Wrynbury. His benefactor and only ally, Anne Gladwyn, repeatedly attempts to assist the reticent and surly vicar with the task of reviving the dilapidated village church against all odds. Anne hopes to find some purpose to her dull and unsatisfying life as well as solve the mystery of the vicar’s history and demeanor. Their journals and accounts show the tenuous beginnings of a partnership that turns into a friendship then blossoms into a passionate emotional tie that could destroy all they have worked for. In a time when religious and social constructs would never allow the two to satisfy their desires, they must decide what to sacrifice in order to have happiness during the tumultuous early days of the 20th Century.

Thursday, October 23, 2014

Interview with Tim Dankanich, author of Old Hag Syndrome

Interview with Tim Dankanich, author of Old Hag Syndrome

Tim Dankanich was born within the state of Pennsylvania, a state which happens to be (in his
opinion) the insane little sister of historical Transylvania. Without any formal training or education, he is a completely self-taught author, screenwriter, and artisan with a pathological obsession toward the dark, frightening, unexplained realms of the unknown. You can visit him online at www.timdankanich.brushd.com

His creepy horror thriller, Old Hag Syndrome, is soon to hit the big screen and was published by imprint Dark Alley Press in September 2013.

What was your inspiration for Old Hag Syndrome?

The Old Hag Syndrome was inspired by the very real and terrifying phenomenon experienced by more than half of the world's population, myself included. The Old Hag Syndrome is a mysterious and horrifying sleep disorder documented throughout almost every ancient culture and known today by its modern medical term as sleep paralysis. For this story I was first inspired to create my own explanations for this widespread and unexplained nightmare that cannot be fully rationalized by psychology, culture or medical science. Then I tried to create characters who were not only likable but worth caring about. Consequently I led these poor people through every insane and disturbing horror my mind could imagine.

Twins and the psychic connection some seem to have is critical to your novel?

“Critical” is a very interesting word choice to use in that question. That particular adjective contains different meanings, yet looks exactly the same. Much like identical twins themselves, which are statically the only sets of twins to sometimes share acute psychic abilities between each other. But I honestly think the only critical aspect of such a connection would be that the novel itself would have looked very differently had I not mentally given birth to identical twins as important characters, when I first started to compose the skeletal structure of the story itself.

Are you a twin? If so do you have this connection with your twin? Could you give us some examples?

Sadly no, I do not have a psychic twin. It’s rather depressing to think of how quickly and efficiently the writing process would be if I had such a twin finishing my thoughts and typing them out for me while I had other things to do.

If not, where does your fascination with twins and this connection come from?

Honestly, I’m not exactly sure where my fascination with biological nonconformity and the entire spectrum of the paranormal originates from. I wish I knew. Although I do remember when I was younger (about the age of 9) a friend’s mother took her and I to see a psychic, who only told me very vague and incomplete thoughts during my reading. After my friend and her mother had their readings and we all left, her mother told me that the psychic refunded the money she had paid for my reading. When she asked why, the psychic told her that I had frightened the poor fortuneteller because no matter how hard they tried, I could not be read psychically. Or it could have something to do with being born five days after Halloween.

The story mentions many different sleep disorders. Is this something you’ve experienced yourself? If not, what drew you to delve into this topic?

I think the basic biological need for sleep has always disturbed me in some way. Not only do we spend more than half our entire lives asleep, but modern science is still searching for the exact reason behind why we as a species need to sleep and dream in the first place, and why it’s a necessity in order for us to stay alive. I myself have always been nocturnal by nature, as well as being able to stay awake for several days at a time. I think I may have experienced almost every sleep disorder at least once or twice in my life, including the Old Hag Syndrome. But it wasn’t until a friend of mine confessed to suffering through Hag Attacks on an almost nightly basis that this phenomenon first became the larval stage of a nightmare that I set out to explore artistically. It was an attempt to better understand exactly what I had experienced, and why so many others throughout human history were also afraid of falling asleep in fear of it happening again. The most frightening aspect of this experience is the widespread, dramatic, realistic, and bizarre elements of this phenomenon that cannot be fully explained as being nothing more than a sleep disorder.

What sort of research did you do for this book?

At the risk of sounding pretentious, I honestly did extensive research online, at libraries, in bookstores as well as contacting a university professor said to be an expert on the subject, (but he never wrote me back). However I think the most interesting and insightful research I did was when friends, strangers, or second hand acquaintances would ask me what I was writing about. Once I told them about the Old Hag Syndrome, I was shocked to learn just how many people I knew or happened to meet that had experienced it firsthand. Some of which never even knew there was a term used for what had happened to them. Some of those people had never even told anyone about their encounters before, or were even aware that other people have had the same thing happen to them.

Is there any part of you in Annette?
I think Annette is comprised of a lot of people I used to know, as well as me. In the most compassionately simplistic terms, Annette Chambers is a beautiful mess. Despite everything she’s ever been through she retains her self-taught independence. She prides herself on never asking for anyone’s help. She is careful with the little money she has managed to save. But she still eats poorly, dresses poorly, and cares very little about what people think of her. She understands that exterior beauty and inner strength are nothing more than psychological projections upon strangers. She knows the power of a single action, and the influence of a nice smile. She has also helped more people than she knows by being able to distinguish between the two. One thing Annette perfected during her abandoned education in psychology was how to compartmentalize all her flawed human emotions. She is able to place all of her fear, anxiety and sadness into large formaldehyde filled jars within her mind and seal them shut in order to function properly and efficiently as a person. She places these jars in her psychological basement storage facility, amongst all of her other deformed, well preserved, and euthanized emotions. She already knows that storing so many cognitive containers behind walls of repression is in itself a dangerously detrimental defense mechanism, which could potentially possess severe and long lasting consequences. But she is also fully prepared to one day go through every imaginary jar from the past and thoroughly dissect and study every saved specimen, in order to one day better understand herself and the f**ked up world around her.

What was the toughest part of this story to write?

As an avid horror fan I would have to say the hardest part was trying to frighten myself as I wrote. I would rewrite and rewrite rewrites until what I wrote scared me enough to never write it again.

What is it about Annette that you think will draw readers to her?

I suspect readers will be drawn to the challenges which test the character and resolve of Annette that happen to be a series of inescapable psychological horrors. I think the readers may establish immediate sympathy for Annette through her relatable and understandable struggle of just barely scraping by in life, while walking that thin line between things going from success to failure at any given moment. But no matter how bad they think her life seems, they could never even imagine the nightmare that awaits her at the bottom of the downward spiral of being forced to not only question the foundation of reality but also surpass the boundaries beyond all known fear and insanity. 

When did you first realize you wanted to be a writer?

The realization was a very slow process starting at a very young age after I first started drawing and before having the ability to read. It was through comic books that I first noticed the exquisite craft of connecting written text with visual art to create a captivating story. Prior to being old enough to even spell simple words correctly, I was illustrating and writing the stories for my own childish comic books. I remember it frustrated me to the point of tears that I couldn’t draw what I saw clearly in my imagination, so I would just rip up the paper and start all over again. This process led me to focus more on practicing and perfecting my visual art throughout high school. I would always have a notebook on hand to write down ideas, stories, or any interesting conversations I had that day. I soon noticed I was subconsciously adding more and more words, random text and cryptic storytelling into my artwork. That was around the time when I alternated my complete attention from a canvas and paintbrush to a notebook and pen.

Why do you write?

I write as a personal artistic challenge, as an attempt to fine tune, document, and expand upon my overactive imagination. With my writing I aspire to show and share everything I see in my mind by using only words. I write because I came to the conclusion that every form of art contains its own deadline for someone to formulate their own negative or positive opinion of it. With visual art, personal opinions are immediate. You like what you see, or you don’t. Music on the other hand takes a little more time to listen closely and decide how it makes you feel. But reading a book from cover to cover, that takes time. That is a commitment. But sometimes you gain more from art than just an opinion of it.

Is being a writer/poet anything like you imagined it would be?

Honestly, I’m at a loss for words. *insert comedic drum roll here*

What do you think makes a good story?

Well established believability, especially towards the unbelievable aspects of the story, and a mutual trust between the author and the reader.

What's your favorite genre to read?

I love horror, including all of its varied subgenres, especially non-fiction books on the paranormal, supernatural, and the unexplained. 

Who is your favorite author or poet?

I respect and admire so many authors, each to their own credit. However my top three would be: William S. Burroughs, H.P. Lovecraft, and Hunter S. Thompson. As for pure poetry, nothing beats a case of beer and something by Bukowski.

What books or stories have most influenced you the most as a writer?

Stalking Is a Contact Sport, by (a brilliant bastard and friend) Fred Seton. As well as the author’s entire unpublished works.

What books or stories have most influenced you as a person?

The Tell-Tale Heart, by Edgar Allen Poe. This was read to me and my fellow first-grade classmates by a sweet old librarian during story time. It all spiraled downward from there.

Where/how do you find the most inspiration?
I find the most inspiration from imperfections, mistakes, and the unknown, easily found both in myself and the world around me.

What does your family think of your writing?

I assume they think the same thing as they thought about my visual art; if I’m not getting paid every time I do it, it’s not a job.

What is your work schedule like when you're writing?

…I’ll answer that question as soon as I have or find the time.

Do you have any writing quirks or rituals?

Not that I’m consciously aware of…

Is there anything you find particularly challenging in your writing?

The middle and endings are always a challenge. Starting anything is easy.

What are your current projects?

I’m currently composing several horror movie spec screenplays, while continuing to raise and be responsible for an abandoned baby squirrel that I rescued from the hands of death earlier this summer, a squirrel which is now a happy and healthy blur of chaos and destruction.

What are you planning for future projects?

I really hate to plan anything too far ahead so I’ll just cryptically say, “It’s a surprise.”

Do you have any advice for other writers?

My only advice is; adopt a monkey. Or if you live in a place where monkeys are readily available, invite one to stay inside your home… because if you are able to continue writing while a temperamental primate screams and destroys your house, you will obtain discipline and focus. A monkey will also teach you the proper way to handle discouragement and rejection by learning to wipe it all away and move on. Just like all the feces the monkey will throw at you… and yes, you will be repeatedly hit with monkey excrement… monkey excrement that smells of humiliation and shame… just wipe it away, and move on.

Where else can we find your work?

Some of my artwork and prose can be found in Migraine Expressions, a beautiful book of powerful migraine poetry, prose, art, and photography promoting awareness and understanding of migraine and the need for further research, understanding, and treatments.
That and I sometimes vandalize roadside billboards with profound anti-consumerism truths. Or you may find one of my notebooks filled with strange drawings and written madness that I am compelled to purposely loose in random public places whenever I travel. www.timdankanich.brushd.com

Tim's chilling supernatural novel, Old Hag Syndrome can be purchased from our website or from your favorite online bookstore in print or ebook format.
           
For the last twenty years, Annette Chambers has been haunted by the same recurring nightmare of her beloved twin sister’s death.

When a cryptic stranger warns Annette that she is in danger of being murdered -- just like her sister -- by an ancient evil that dwells between dreams and reality, Annette initially dismisses the idea until she is attacked in her sleep by an unseen entity.

Annette soon learns what she experienced is known throughout history as Old Hag Syndrome, a horrifying affliction that causes victims to awake, paralyzed, unable to scream while they are tormented by hallucinations.

Soon Annette realizes the Old Hag she faces is real and has been killing off her friends and family. Her nightmare becomes a frightening reality where the only hope of survival lies somewhere between death and madness.


Thursday, October 16, 2014

New Releases for 2014: New Edwardian Historical Romance Novel from Debut Author, Nancy Moore

New Edwardian Historical Romance Novel from Debut Author, Nancy Moore

Vagabondage Romance launches historical romance novel, THE VICAR OF WRYNBURY, by debut author Nancy Moore. The book explores the lives of Ann Gladwyn and Cyril Dunstan as old world propriety and formality slips away under the stresses of The Great War in turn of the century England.

As the Edwardian era fades into WWI, Cyril Dunstan, a man with a mysterious past, accepts the post as vicar in a small country town of Wrynbury. His benefactor and only ally, Anne Gladwyn, repeatedly attempts to assist the reticent and surly vicar with the task of reviving the dilapidated village church against all odds. Anne hopes to find some purpose to her dull and unsatisfying life as well as solve the mystery of the vicar’s history and demeanor. Their journals and accounts show the tenuous beginnings of a partnership that turns into a friendship then blossoms into a passionate emotional tie that could destroy all they have worked for. In a time when religious and social constructs would never allow the two to satisfy their desires, they must decide what to sacrifice in order to have happiness during the tumultuous early days of the 20th Century.

"Fans of the Downton Abbey television and other period pieces and costume dramas will fall in love with the tumultuous drama as Ann and Dunstan learn to navigate the changing values of the new century," says managing editor, Fawn Neun. "Ann is the epitome of the new woman, headstrong and passionate, and she has her hands full convincing the staid vicar, Cyril Dunstan, to lead with his heart.

"Many readers romanticize the Victorian and Edwardian era as a time of proper etiquette, prim manors, and a focus on beauty and elegance," Ms. Neun continues. "Behind these stoic facades and social rituals were men and women who wanted love and affection and relationships were they could feel fulfilled both in and out of the bedroom. Ms. Moore's novel bravely and honestly addresses how two people face these challenges and what they ultimately find they need to sacrifice."

Nancy Moore graduated from Truman State University, and has worked in publishing, marketing, journalism, and in the non-profit field. She is an unabashed Anglophile who loves Harry Potter, Doctor Who, and Sherlock as well as any historical drama series to come out of the U.K. She currently lives in St. Louis with "the greatest guy ever," her cat, and dog.

For a sneak preview of this fresh new historical romance novel, visit our website. http://www.vagabondagepress.com/bookpreviews/thevicarofwrynbury.html

THE VICAR OF WRYNBURY is available from all major online bookstores in both US Trade Paperback and e-Book format, including Amazon, Barnes and Noble, iBooks, and OmniLit, as well as on the Vagabondage Press website at http://www.vagabondagepress.com


An Interview with Stephanie Minns, author of The Tale of Storm Raven

An Interview with Stephanie Minns, author of The Tale of Storm Raven


Steph Minns has been a keen reader, writer, and artist since childhood. Her professional career has predominantly been in publishing, website, and print design, including positions as publications manager and commissioning editor. She has also worked as a freelance illustrator for Talking Stick and Pentacle magazine. You can visit her online at http://stephminns.weebly.com.

Her spooky short, The Tale of Storm Raven, was published by imprint Dark Alley Press in April 2014.

What was the inspiration for The Tale of Storm Raven?

Funnily enough, a comment from my boss. I’d been responding to enquiry emails at work and remarked on yet another marketing email from a wig company in China (to the Forestry Commission in England?) My manager remarked on people buying wigs made from real human hair and how creepy it would be to have someone elses’ hair on your head. That set off the idea of a haunted wig that comes with ghost attached, as old objects are often claimed to do by paranormal researchers.

What draws you to horror?

The fact that it takes you completely out of normal everyday mundane existence. You can lose yourself in a dark, creepy tale and forget your worries for a while.

When did you first realize you wanted to be a writer?

I’ve always written stories, even as a child, although they were mostly about ponies until the age of ten. Then I progressed to ghosts and things lurking in forests.

Why do you write?

I love reading and always have stories in my head waiting to pop out, maybe inspired by a chance comment overheard or a street scene where I borrow a scenario or character I’ve observed and think that would make a good story.

Is being a writer anything like you imagined it would be?

I do it for the love of it. I don’t think I’ve ever imagined being a writer as such, but to be able to make a reasonable living from something you enjoy doing anyway is everybody’s dream I guess.

What do you think makes a good story?

Credible characters and a plot that keeps you guessing and keeps you wanting to turn the page. I like unusual and off beat characters who maybe don’t always fit comfortably in the world, and have a different take on life. A surprise ending that gets the reader thinking also helps.

What's your favorite genre to read?

Horror, mystery/crime or dark fantasy at the moment. I’m not a chick-lit type of girl. My first (only) self published novel though was a historical fiction set in the 18th century and based around real history, smuggling specifically, in the West Country where I live.

Who is your favorite author or poet?

Lots but Poppy Z. Brite and Neil Gaiman come to mind.

What books or stories have most influenced you the most as a writer?

Best of horror collections I guess, and Neil Gaiman plus Stephen King’s collections. I grew up on a diet of 2000 AD comics with characters such as Slaine and Judge Dredd.

What books or stories have most influenced you as a person?

As Meat Loves Salt by Maria McCann is a book that’s still on my shelf and I’ve read it three times. I’ve always liked Oscar Wilde’s shorts too such as The Portrait of Dorian Gray, creepy in a subtle way.

Where/how do you find the most inspiration?

People and things I see around me mostly. I’ve just written a short humorous story for a competition inspired by a recent trip to the eye hospital and what happened on the bus, the characters in the waiting room for example. I watch the crime channels too on TV and sometimes ideas come from real life, the dark, terrible things people do to each other.

What does your family think of your writing?

They enjoy reading my efforts (so they say)! My parents were always great readers and encouraged a love of books.

What is your work schedule like when you're writing?

I work part time in an administration post but have the mornings free so make myself sit down most mornings for a couple of hours, even if I don’t feel very inspired. I’ve got a few notebooks with scribbled ideas and half-formed stories in to trawl through when I’m feeling a bit lost for some ideas.

Do you have any writing quirks or rituals?

Lots of cups of tea.

Is there anything you find particularly challenging in your writing?

Trying not to be too wordy with short stories. They tend to lapse into long short stories if I’m not careful.

What are your current projects?

I’m working on a series of dark fantasy short stories but have a novel idea drafted ready to start.

What are you planning for future projects?

To finish the novel and try and get that published.

Do you have any advice for other writers?

I belong to a small Writers Group where I live in Bristol which has proven invaluable for feedback as we critique each others’ work, helping each other with stuff like plots and endings that may not work.

Where else can we find your work?

I have a short story called The Watcher From The Woods on UK e-publisher AlfieDog’s website and my own website www.stephminns.weebly.com has a couple of freebie reads on it.

Steph's horror short, The Tale of Storm Raven can be downloaded from our website or purchased at your favorite ebook retailer.


Nick, a London musician and bookstore manager, falls for a Goth beauty he meets online.  However, Suzy has a problem. No one believes a ghost is gradually taking over Suzy’s life, until Nick and his friend Zac start to investigate. But is it too late though for Suzy, who is gradually spiraling into a sordid decline?