Sunday, March 13, 2011

Author Insides - Mitchell Waldman

Mitchell Waldman’s fiction and poetry has appeared in numerous publications, such as Wind Magazine, Moronic Ox Literary Journal, Five Fishes Journal, The HazMat Review, Innisfree, Poetpourri, The Advocate, Mobius, The Parnassus Literary Journal, Desperate Act, Poetry Motel, Poetic Hours, Bold Print, Woven Worlds, Long Story Short, Rochester Shorts, and in the anthologies, "Beyond Lament: Poets of the World Bearing Witness to the Holocaust", and "Messages from the Universe". He is also the author of the novel, "A Face in the Moon", and co-edited with his partner, Diana, the anthology "Wounds of War: Poets for Peace". http://mitchwaldman.homestead.com/

Mitchell's short story, "The Ring," appeared in the Summer 2010 issue of TBS

 
When did you first realize you wanted to be a writer?


I've pretty much always known since I was a kid that I wanted to be a "writer." I idolized certain writers growing up and would spend hours locked up in my room reading anything I could get my hands on. Although my first writing triumph was winning a contest in the third grade for a science fiction story I wrote (and having to read the mimeographed story on stage in front of my entire grade school, my hands shaking the page as I read) it wasn't until I was in college and took a couple fiction writing classes that my actual "writing," rather than the dreaming of "being a writer" became a habit (good or bad).

Why do you write?

A lot of people say, “I write because I must.” I cringe every time I hear a writer say this. It’s almost cliche. But it is the expression of one’s soul that comes across on the page, the imprinting of one’s persona that makes writing (good writing, anyway) so powerful. Everyone does, in fact, have their own story to tell. And there is that “I must write” thing going on with me to some extent. It’s one activity where I feel fully satisfied and lost when I engage in it. To create something new, to create new worlds, and something to share with others, that others can relate to, learn from (hopefully) – that is the reason that I write.

Is being a writer/poet anything like you imagined it would be?

I had a lot of fantasies as a child of what it was to be a writer. The glam writer, jetsetting around the world, giving readings and signings and showing up in the news and papers. The actual writing life is nothing like that (as I have not to date achieved rock star status). Writing, although it definitely has its adrenaline rushes, satisfactions, and challenges is, in reality, really a lot of hard work.

What do you think makes a good story?

I like stories about people, real people. What they go through on a day to day basis. The middle class regular Joes who are trying to make it in this world. Stories that readers can relate to. And, sometimes stories that talk about injustices in the world around us (without bashing you over the head with “message.”

What's your favorite genre to read?

I’m pretty much a literary/mainstream fiction reader.

Who is your favorite author or poet?

I’d be hard pressed to name a (one) “favorite” author. I love to discover writers that I haven’t read (although a lot of them I should have before). Some of my most recent favorites are Alan Lightman (“The Diagnosis”), Andrew Sean Greer (“The Path of the Minor Planet”), Perry Glasser (“Dangerous Places”), Benjamin Percy {“The Language of the Elk”). And there are my old standbys—Philip Roth, John Irving, Nick Hornby, Hemingway, Herbert Gold, Richard Ford, Richard Russo, Jill McCorkle, Michael Chabon, Ellen Gilchrist, Joyce Carol Oates, Tim O’Brien, Martin Amis, Lorrie Moore, Bret Ellis, Frederick Barthelme, Andre Dubus, Jim Harrison. …and so many more. There are so many great writers to read and so many more to discover…so many great books to read…and so little time!

What books or stories have most influenced you the most as a writer?

That’s a tough one. I guess I was most influenced by books in the 80’s when I began to take writing seriously and was looking for a style, a voice of my own. . Early books by Larry McMurtry – “All My Friends Will be Strangers,” “The Last Picture Show,” Bret Ellis’ book, “Less Than Zero,” some early Roth books – “Goodbye, Columbus,” and “My Life as a Man.” “The World According to Garp,” by Irving is a great book. Books about young men, trying to make their ways in the world, growing up, becoming men.

What books or stories have most influenced you as a person?

Books that have influenced my beliefs the most have to do, to a great extent, with looking at the world in a different way. Books about war, for instance, like “Going After Cacciato,” by Tim O’Brien, “Slaughterhouse Five” and “Catch-22.” Then there was “Time’s Arrow,” by Martin Amis, about the Holocaust. And, of course, “The Diary of Anne Frank,” “Night,” by Elie Wiesel, “Painted Bird,” by Elie Wiesel, and, more recently, “The Plot Against America,” by Philip Roth. Coming from a Jewish background, these books deeply affected me because of what happened and what could have or might happen in the future. We are never totally safe from prejudice, hatred, and ignorance. And there are books questioning authority, the status quo, and the systems and broken institutions we live with on a daily basis that have deeply affected me, like “One Flew Over the Cuckoo’s Nest,” by Ken Kesey, and “To Kill a Mockingbird,” by Harper Lee..

Where/how do you find the most inspiration?

Inspiration for me comes from many places. An injustice in the world, in the papers, personal experiences in my daily life, and from questioning the surfaces of life in our world and relationships—what lies beneath them.

What does your family think of your writing?

My partner, Diana, is also a writer and accomplished poet (A Woman’s Song is her first poetry collection) and, is very supportive. We are each other’s biggest fans.

What is your work schedule like when you're writing?

These days I do not have a strict, disciplined schedule, although I would like to get back to that. I write when I am able and inspired (although if you wait for inspiration, you may be waiting a long time to get to work!).

Do you have any writing quirks or rituals?

Nothing, really quirky. I do have a habit of jotting things on paper after coming out of the shower, for some reason. Some of my best ideas come during my morning shower. Good lines or ideas that I may want to use later.

Is there anything you find particularly challenging in your writing?

Dealing with anything that requires a different time period or a lot of independent research about a subject I’m not that familiar with. I’m not too excited about that part of a writing project.

What are your current projects?

I’m currently working on putting together a collection of short stories, as well as serving as a co-editor with Diana on an anthology called Hip Poetry for worldwide hippies (http://worldwidehippies.com), which collects various writings from many well known poets and writers. In addition, I continue to work on short stories and a novel-in-progress, with Diana, and have been writing occasional essays for the worldwide hippies site.

What are you planning for future projects?

Some of the current and future projects seem to be ongoing, like the novel-in-progress. IN addition, Diana and I have started a new online literary journal called Blue Lake Review (http://bluelakereview.weebly.com). We’re very excited about some of the writers and work we’ve gotten so far. Our first issue should be out soon.

Do you have any advice for other writers?

Read what you want to read, what interests and inspires you, not what others think you should read. Don’t imitate or try to write like you think a writer should write. Find your own voice. This is a lot easier said than done and you may find that you’ve done quite a lot of imitation of writers you admire without even knowing it. But, once you realize that, you can deal with it and make your writing you own.

Where else can we find your work?

Some of my work and references to my writings can be found a my website: http://mitchwaldman.homestead.com/

Friday, March 11, 2011

Author Insides - Francesca Borrelli

Francesca Borelli is a contemporary poet and artist. She was born in Milton Keynes to an Irish mother and Italian father and read English language and Media at the University of Brighton. Having also studied fine art, she has an extensive portfolio of paintings and one day hopes to own a gallery on the southern coast of England. Her poetry is modern in style and is mostly autobiographical, influenced by her diverse background and interests. She has been published in Monkey Kettle, a UK based literary magazine, and is aiming to have all her anthologies published in their entirety.

Francesca's poem, "Collecting Rob," appeared in the Autumn 2010 issue of The Battered Suitcase

Francesca, when did you first realize you wanted to be a writer?


Several years ago I enrolled on a creative writing course. It was a great feeling to be part of a group, all with the same aspiration but such different styles. You realize how powerful written language is and if you have the ability to use it well, you should pursue it.

Why do you write?

We experience so much from day to day, scenarios, people and places that could so easily be forgotten. For me, if I pass someone on the street that interests or intrigues me, I can write a poem about them. They’ll never know it exists, but when I read it back I can picture that person and how I felt at the time-photographs don’t always achieve that.

Is being a writer/poet anything like you imagined it would be?

I knew it would be difficult. I can go two or three weeks without producing anything, but then write five poems in one afternoon. If you expect to write something every day, it won’t always be the best quality.

What do you think makes a good story?

The structure always determines a stories success, leading the reader at the right pace is a true talent. Showing the reader rather than telling them is also a key factor, some writers over describe but it’s good to let the reader do a lot of the work, that’s what reading is for.

What's your favorite genre to read?

I enjoy poetry obviously and also thrillers. Mary Higgins Clark captures my attention. I also love light-hearted books- Marian Keyes gets me through my holidays.

Who is your favorite author or poet?

My favourite poet is Wendy Cope. Satirical writing is extremely hard to pull off but she does it effortlessly. Maggie O’Farrell’s ‘After you’d gone’ is an amazing book; I love her description and the layers she creates.

What books or stories have most influenced you the most as a writer?

‘Making Cocoa for Kingsley Amis’ by Wendy Cope opened my mind up to poetry. She proves it doesn’t have to follow the stereotypes of nature and love. Poetry can be about anything, it’s a very versatile form.

What books or stories have most influenced you as a person?

‘Tully’ by Paulina Simons is an unbelievable book. It is so intense and emotionally draining but I could read it over and over again; an amazing plot.

Where/how do you find the most inspiration?

I tend to write a lot on train journeys- moving at such a fast pace must kick my brain into gear! The streets of Brighton always spark ideas; everywhere you turn there are different colours, textures and smells (plus the sea air is always beneficial).

What does your family think of your writing?

They must find it unusual when they read my work as I’m not a very open person and writing is a very personal process. They aren’t my most frequent readers, maybe because a lot of my poems feature them!

What is your work schedule like when you're writing?

I’m not a full time writer, so in between work I write as much as possible. I write about things that happen in my life so if all I did was write I’d have no content!

Do you have any writing quirks or rituals?

In my last house I had a huge bay window that my desk sat in. That’s where I would do all my editing. Now that I’ve moved I’m yet to find a more suitable place. Other than that I don’t have many quirks, apart from a good pen, my usual note pad and lots of tea.

Is there anything you find particularly challenging in your writing?

Trying not to repeat myself. It’s important to keep things fresh for both yourself and your readers.

What are your current projects?

I’ve almost finished my second book entitled ‘Beyond September’. It’s slightly darker than my first but still includes a lot of autobiographical poetry. I’ve been working on it for over a year now but it’s nearly there.

What are you planning for future projects?

I would love to write a short collection about a relationship. Whether fictional or non-fictional-I haven’t decided yet.

Do you have any advice for other writers?

Read what you write. It’s amazing how reading other peoples work can determine your own style because you identify the aspects you like and dislike which ultimately shapes what you do when writing yourself. Also remember that editors are just people. If they don’t like a piece, it’s just one opinion out of billions-believe in what you write.

Where else can we find your work?

I’ve been published in ‘Monkey Kettle’, a UK based literary magazine and am waiting to hear back from several other publications.



Sunday, March 6, 2011

Author Insides - LM Asta

L.M. Asta has published fiction in Philadelphia Stories, Inkwell, Schuylkill, and Lemniscate, and her essays have appeared in Hippocrates and the Journal of the American Medical Association. Current projects include a novel set in a 1950s motel and a collection of stories about physicians who come to the attention of their state medical board and are variously reprimanded, put on probation, have their licenses suspended, and sometimes revoked. You can find her online at http://www.lmasta.com/

Lisa's short story, "The Bulb," appeared in the Autumn 2010 issue of TBS.



Lisas, when did you first realize you wanted to be a writer?


I was writing stories in my third grade composition book. By sixth, my teacher wanted to see what else I was writing.

Why do you write?

Because I can’t not write.

Is being a writer anything like you imagined it would be?

There’s the writing and then there’s the editing. It always takes more time to work something up than I think it’s going to.

What do you think makes a good story?

Character, plot and language must gel. Stories that twist the common or uncommon experiences of writer and reader.

What's your favorite genre to read?

I’ll try anything from the high concept literary fiction that my brother-in-law the English professor recommends to what I unearth to poetry.

Who is your favorite author or poet?

Richard Russo’s early novels, Paul Scott, Vikram Seth; short story writers Donald Ray Pollack, Ron Carlson, Chris Adrian; poets G. C. Waldrep, Donald Hall.

What books or stories have most influenced you as a person?

Mohawk, Richard Russo’s 1994 novel, populates a town with characters forced to cope with things that aren’t there anymore.

Where/how do you find the most inspiration?

Juxtapositions. The book Black Plants: 75 Striking Choices for the Garden prompted me to wonder who might want a garden dark of leaf and blossom. What would it look like? Smell like?

What does your family think of your writing?

In high school my grandfather wrote me, “Your mother mentioned something about you wanting to be a writer, fine and dandy, but only as a hobby; don’t try to make a living out of it.” He was a great reader and a realist. When I was a kid he bought me hardback classics and also supported my lesser reading habits.

What is your work schedule like when you're writing?

The painter Hugo Anderson insists that you give your creative work your best hours, not the little scraps of time at the end of the day when you’re exhausted. I’m at something everyday.

Do you have any writing quirks or rituals?

Blue-black fountain pen ink and my submissions talisman.

Is there anything you find particularly challenging in your writing?

Finding more time to write.

What are your current projects?

My first novel, Motel 301, follows the Wilms’s family motel and the Gerlicke farm in the decades following the passage of the 1956 Interstate Highway Act.

What are you planning for future projects?

I have a group of stories about the 007’s—physicians who come to the attention of their state medical board.

Do you have any advice for other writers?

Read. Write. Repeat.

Where else can we find your work?

I’ve also published fiction in Philadelphia Stories, Inkwell, Schuylkill, and Lemniscate, and my essays have appeared in Hippocrates and the Journal of the American Medical Association. There are links at http://www.lmasta.com/







Saturday, March 5, 2011

Battered Suitcase Alumn - Toy Horses


The lyrics of Toy Horses appeared originally in the July 2008 issue of The Battered Suitcase. Toy Horses are Adam Franklin-Williams and Moist Bamboo. Indie, acoustic, pop, and rock, Toy Horses melodic, lyrical style is infectious. You can find out more about them online here: http://toyhorses.myshopify.com/ 
Their debut album is now available. Check out the video for their debut single:


Thursday, March 3, 2011

Author Insides - Scott Lininger

Scott Lininger is a dad, entrepreneur, and mystery enthusiast who lives in Boulder, Colorado. His short fiction has appeared in Flash Fiction Online, Everyday Weirdness, Powderburn, and Short-Story.me. He is currently working on his first novel. http://www.scottlininger.com/

Scott's humorous short story, "Undressing Bullie," appeared in last summer's TBS



When did you first realize you wanted to be a writer?

I was invited to a creative writer's group by a friend of mine a few years ago, and that kicked it all off. Though I had dabbled with fiction in college, it was something I never thought I'd become passionate about. Boy was I wrong. Happily, it has been my main creative outlet ever since.

Why do you write?

To tell stories. To enhance my understanding of the craft. To hang out with interesting characters. To accomplish something that is really hard and that I've never done before.

Is being a writer/poet anything like you imagined it would be?

It's a lot easier, actually. When I first started I imagined that every word would be a painful slog that leaves you wanting. As I've become more comfortable and less concerned that I'm going to just get bored, it's grown more natural and less stressful.

What do you think makes a good story?

Characters that you love, or love to hate.

What's your favorite genre to read?

Mystery and crime fiction.

Who is your favorite author or poet?

Right now my favorites are Susan Hill and Laurie King.

What books or stories have most influenced you the most as a writer?

Anything in the vein of Joss Whedon or Thomas Perry, meaning interesting characters with totally unique voices... dialog that both entertains and communicates character. Those stories blow me away and make me want to write. They also make me laugh, and that's become a barometer of mine. When somebody laughs out loud at one of your stories (in a good way ;), you know instantly that you got the reaction you wanted, no filters or over-evaluation.

What books or stories have most influenced you as a person?

The little internal stories that I carry in my head about my parents and the place I grew up (small town, Colorado.)

Where/how do you find the most inspiration?

I absolutely love wandering around the library or bookstore and just imagining what lies beneath those covers. Makes me want to go home RIGHT NOW and write.

What does your family think of your writing?

My wife is very supportive and patient with my sometimes-obsessive writing schedule. My larger family is used to me and my wanderings. I've had a lot of creative interests over the years... I imagine they're placing bets on how long I'll stay interested in writing.

What is your work schedule like when you're writing?

I generally write from 9pm to midnight, after my daughter has gone to sleep.

Do you have any writing quirks or rituals?

I sometimes visit pandora.com and plug in an artist that puts me in a given mood. Devotchka and Dead Can Dance are great for atmosphere.

Is there anything you find particularly challenging in your writing?

On my novel-length projects, it has been tough sticking to a holistic arc yet not letting that overwhelm the individual scenes. Letting the characters do whatever they want while ensuring they do interesting things is hard for me. Still figuring that out.

What are your current projects?

I'm in the editing stages of first mystery novel, Guesswork, which features the World's Greatest Carnival Guesser and reluctant murder solver, Joe Odin. I'm also neck-deep in a middle-grade science fiction novel called Xenopaths.

What are you planning for future projects?

I'd like to do sequels to both of my current novels, but we'll see. After Xenopaths I might go back and devote more time to short fiction.

Do you have any advice for other writers?

Write! As much as you possibly can. When you get a rejection from a publisher, send that story out to somebody else, and do it the same day--no exceptions.

Where can we find your work?

You can see my portfolio at http://www.scottlininger.com/,  including links to my published stories.

Tuesday, March 1, 2011

New Release - The Battered Suitcase Spring 2011

The Battered Suitcase, Volume 3, Issue 4, Spring 2011:

A quarterly journal of intelligent and imaginative prose, poetry and art.  If you love literary fiction, humorous fiction, flash, short stories, outsider prose and poetry and fresh work from emerging artists, check out The Battered Suitcase, free to read online since June 2008.  Available in PDF download and in print, and soon to be released for Kindle, Nook and other eReaders.

The Spring quarter issue features fiction by: Cooper Sy, Mihaela Tudor, Nathan Pensky, David Seavor, Susan Tepper, Bruce Bromley, Douglas Sullivan, Tammy Salyer, Adam Russ, Aubrey Bemis, Nathanial Kressen, Kate Lu, Corinne Wasilewski, Sara Basrai, Steven Gulvezan, Charles Heinemann, Matthew Dulany, Dan Lundin, Laura Bogart, Robert Doyle, Sandra Hunter, Nathan Tavares, Emily Capettini, and Sahar Delijani.

Narrative Non Fiction by Kevin Ritter, Nath Jones, Tom Panarese, Alana DiGiacomo, and Libby Cudmore.

Poetry from Joanna Weston, Kate Armstrong, Jacob Kaiser, M.P. Powers, Shannon Cavanaugh, Rebecca Schumejda, Kristine Ong Muslim, Robert Scotellaro, Jennifer Styperk, Miranda Merklein, Karen Garrison, Shelly Reed, Betsy Brown, George Bishop, Madelaine Caritas Longman, Jospeh Kerschbaum, Andrea Judy, Ana J., Ian Smith, and David Snyder.

Artwork by Jaap van der Wel, Steffen Flauger, Roger Regner, and C.R. Ventura.

Visit our website at http://www.vagabondagepress.com/ to download, purchase print copies or read online for free.

60-Second Syntax: Entitled vs. Titled

60-Second Syntax is a quick look at some common mistakes in writing. Please note: Different editors may follow different styles and rules.

Entitled and titled are two words that are often used interchangeably these days when it comes to naming a piece of work. However, it is grammatically incorrect to say “The book is entitled Huh.”

By definition:

Titled means named.
Example: The book is titled “Huh.”

Entitled means the right or claim to something, to bestow a title on.
Examples: Americans are entitled to a fair trial.
The Queen entitled him Sir Anthony Hopkins.


Although entitled does mean to give a title to something, it does not mean the title itself.

Here’s a little sentence to help keep the preferred uses clear in the future:

As the author, Sam felt he was entitled to title his book Huh.