Thursday, November 20, 2014

Interview with E.H. Lupton, author of The Joy of Fishes

Interview with E.H. Lupton, author of The Joy of Fishes

E.H. Lupton lives in Madison, Wisconsin with her husband and various pets. In her spare time, she pursues a number of hobbies including running, baking, making things up, and taking naps.

Her novella, The Joy of Fishes, was published by Battered Suitcase Press in December of 2013.


When did you first realize you wanted to be a writer?

I was about twelve or thirteen and having an argument with my father about a TV show we both liked. I didn’t like the direction it was going in. My father challenged me to write my own version. I haven’t stopped since.

Why do you write?

I feel like I have stories to tell. Also, I don’t have a TV, and if I run too much my joints get angry, so I have to have a “sitting down” hobby.

Is being a writer anything like you imagined it would be?

No. When I was young I thought all writers just wrote full time. Also, I’m guessing I thought writing was easy. In fact I still want to believe that, because I am continually surprised by how difficult writing is—I keep hoping I’ll come around a bend in the road and suddenly find everything is a cinch.

What do you think makes a good story?

It has to have compelling characters and a good plot. Artistry of writing is nice, and if the story fails on plot, sometimes artistry can get you pretty far (I mean, look at Ulysses). But if it fails on characters, I don’t care about the rest.

What's your favorite genre to read?

Probably mysteries. I read a lot of genres, because I’m always reading things that people recommend or that I find somewhere, but left to my own devices I look for a mystery novel. I’m especially fond of hardboiled detective novels.

Who is your favorite author or poet?

This is a hard question. Raymond Chandler is up there. Salman Rushdie. James Joyce. Zora Neale Hurston. Thomas Pynchon, especially his more recent stuff, like Inherent Vice. I’m probably leaving out a lot of worthy names here, but I think if you’ve read any of these writers you might begin to detect a trend: I like incredibly well-written works with interesting characters and (in most cases) dense, complex plots that are funny and heart-wrenching by turns.

What books or stories have most influenced you the most as a writer?

Probably the biggest influence was James Joyce’s Ulysses. I learned from it that books don’t have to stick to a single topic; you can put all of life into them. This book, more specifically, was influenced also by Kurt Vonnegut’s Slaughterhouse-Five, Milan Kundera’s The Book of Laughter and Forgetting, and by Wandering on the Way, a collection of Daoist stories translated by Victor Mair.

What books or stories have most influenced you as a person?

I started down the path to study philosophy when I read Zen and the Art of Motorcycle Maintenance by Robert Persig. I think a lot of my work is deeply rooted in philosophy in general, though it’s not always as apparent as it is with The Joy of Fishes. As an undergraduate, I studied philosophy and Chinese, which led to me taking the class in Daoism that inspired TJoF.

More prosaically, my mom used to read me Kipling’s The Just-So Stories and a lot of the works of James Thurber, and I think both of those had a big influence on me.

Where/how do you find the most inspiration?

When I’m lucky (that is, when I’m not recovering from an injury), I do a lot of thinking when I’m out running. When I’m not able to run, driving or biking can have a similar effect. (I live in Wisconsin, so the window for biking is pretty small.)

What does your family think of your writing?

I think they’re proud. Maybe a bit surprised that this is what I do, but proud.

What is your work schedule like when you're writing?

While I was finishing my thesis recently, I would get up around 5:30 and write until 7ish (sometimes pausing earlier or later depending on whether the puppy needed to go out). After I took the dogs out, I put the thesis away and went to the gym for an hour. Then I’d be ready to go to my day job. I find it easiest to get things done in the morning when there are fewer distractions. I’m sleeping in a little later now though.

Do you have any writing quirks or rituals?

I really like to write off the computer—I write longhand quite a bit, and when I have the opportunity, I like to write on my grandmother’s old typewriter. It is about fifty years old and probably weighs twenty or thirty pounds. I really like the feeling of connecting with the keys. Also, I like being away from the Internet.

Is there anything you find particularly challenging in your writing?

The Internet. Especially when things get difficult, I have a hard time focusing. Also, I know that in the course of writing a first draft, there are going to be boring bits that will have to be cut out later. But I hate writing them down. I have to force myself to press forward.

What are your current projects?

I have a short story I’m rewriting, and a novel I’m doing the first draft of. There are probably a few other things, too. I pick stories up and put them down all the time.

What are you planning for future projects?

I don’t really know. Someday I’d like to do a graphic novel, if I ever meet an artist with whom I could work. But I don’t always know what I’m going to do ahead of time. I squirrel away little bits of information for the future all the time, but I don’t usually have a plan of what I’m going to do with them.

Do you have any advice for other writers?

No. I know enough to know that I know nothing.

Where else can we find your work?

I have a blog at pretensesoup.com where you can find all of (or a lot of) my comic “Em ơi!,” which chronicles my various adventures in a somewhat piecemeal and occasionally imaginary fashion. I’ve been drawing it since 2008ish, and have amassed nearly four hundred comics at this point, making it probably my longest-running work. I have had a story published in issue 6 of Greatest Uncommon Denominator/GUD (“Salad Days,” which can be found here: http://www.gudmagazine.com/vault/6/Salad+Days). And I have had a story published in issue 5 of a magazine called Wilde Oats, but it appears to have been archived and isn’t on their website right now (looks like it will be in the future though).

E.H. Lupton's The Joy of Fishes is available for immediate download from our website or your favorite ebook retailer. 

Mara Daniels is a physicist doing cutting-edge research into the nature of reality at the University of Chicago. She’s an astronomer. She’s an amateur student of Chinese philosophy. And she’s still recovering from last summer’s car crash that killed Benjamin Zhu, her fiancé. It’s a slow process; she can walk without a cane now, but she still suffers from migraines, nightmares, and seeing Zhu’s ghost everywhere she goes. The novella The Joy of Fishes follows her through the day on which these threads begin to unravel.

Thursday, November 6, 2014

Interview with Nancy Moore, author of The Vicar of Wrynbury

Interview with Nancy Moore, author of The Vicar of Wrynbury

Nancy Moore is originally from Northeastern Missouri and graduated from Truman State University with a degree in mass communication. She's worked in publishing, marketing, journalism, and in the non-profit field. She's dabbled with writing since childhood, winning a few awards for creative writing in her youth. It wasn't until later in life that her hobby developed into a serious pursuit. She is an unabashed Anglophile who lovesHarry Potter, Doctor Who, and Sherlock as well as any historical drama series to come out of the U.K. Nancy loves reading historical dramas, horror, biography, and non-fiction historical. She currently lives in St. Louis with "the greatest guy ever," her cat, and dog.

Her debut historical romance, The Vicar of Wrynbury, is set in the late Edwardian era, and was published by Vagabondage Romance in May of 2014. 

When did you first realize you wanted to be a writer? 

I dabbled even before I could really write very well. I would draw pictures and make storybooks when I was really little. I did various stories as I grew. In high school, I got third place in a creative writing competition through a university and it really advanced my daydreams of writing as a profession.

Why do you write? 

Because I have movies playing in my head. There are people in there, living stories and doing these great scenes that need to get out and on to paper. I’ve found that escaping into those story lands has been a great fantasy life for me. I can get away from real life, but also be creating something tangible too.

What do you think makes a good story? 

A good story is one that you never want to end and characters that you want to have contact with forever. My favorite stories are ones I go back and visit, especially in times of stress or unhappiness, and they comfort and soothe me like an old friend or warm, snuggly blanket.

What's your favorite genre to read? 

I love a good ghost story! A novel about a creepy house and mysterious haunting is such a treat that is rather hard to find. I also love biographies of the golden age of Hollywood stars. Usually their lives are very different than what was projected on screen or perpetuated by the big studios of the day.  

Who is your favorite author or poet? 

I discovered Margaret Mitchell’s Gone With the Wind when I was in junior high and it is still my favorite. Others include: Sarah Waters, Martha Grimes, Christopher Moore, and Audrey Niffenegger.

What books or stories have most influenced you the most as a writer? 

Sarah Waters's Affinity influenced me a lot for its pacing and style. The delicate mix of formal construction and sensuous context was really well crafted. I remember going through the last pages and feeling like I was on the fast downhill of a roller coaster.

What books or stories have most influenced you as a person? 

In college I had to read The Unbearable Lightness of Being by Kundera and was just amazed at how someone had put down in words a lot of the things I was struggling to understand as a young adult.

Where/how do you find the most inspiration? 

I’ve got a vivid imagination that has a bizarre trigger. A movie or a picture can start the ball rolling for me and begin a whole story arc.

What does your family think of your writing? 

My mother is my biggest cheerleader. She is an avid reader, and when I nervously let her read the first draft of my story she said to me, “This is as good as any book I’ve ever read. And I’ve read a LOT of books!”

What is your work schedule like when you're writing? 

Very unstructured. My first draft of my novel took a year and that was with working on it most days. But, I run hot and cold about writing. I’ll work on it for several days then not touch it for a week or a month or more. I won’t say that this is the best way to write, it’s just how it has worked for me in trying to make it a part of my busy life.  

Do you have any writing quirks or rituals? 

When I’m stuck I walk away. If I start cooking or ironing or doing anything that allows my mind to wander, I can usually work out a solution. 

Is there anything you find particularly challenging in your writing?

I’ve realized creativity is like a cat. It can’t be summoned on demand. You just have to leave the door open and hope it wanders in on its own.

What is unique about the Edwardian and WWI era that made you place this story at that time? 

I’ve always said I was born too late. The era of 1910-1930 is my favorite in many ways. There were many changes going on very quickly, especially for women. The world was progressing at an amazing pace. A lot of very old-fashioned notions and practices fell to the wayside as the world came into the twentieth century. Yet there is still this aura of romance, class, and formality. 

In what ways are the character of Anne and you alike? 

Anne is a lot like me, and I don’t know if anyone would believe me when I say that I’d never written a female character like that before. We both have had lives that didn’t turn out how we had expected and felt the need to nurture and cultivate positive relationships, not always with the best results. We both, also, went through changes when forced to be out on our own and learn from our struggles, which only made us stronger. The end of the novel reflected a lot of the change in my own life and my evolving views of love, romance, and lasting relationships.

What are your current projects?  

I have started a modern day ghost story and would like to see how I am able to do with this genre. 

What are you planning for future projects? 

I have another turn of the century drama-romance started but sitting on the shelf. It would be a tale taking place in St. Louis at the turn of the century and centering around another woman going through some difficult life changes that affect her views on the people around her and herself.

Do you have any advice for other writers?

It takes nothing to put it on paper. Write like no one will ever see it. Write for yourself and you may end up creating something everyone appreciates.


Nancy's debut historical romance, The Vicar of Wrynbury, is set in the late Edwardian era, and was published by Vagabondage Romance in May of 2014, and is available in print and ebook from our website or from your favorite online bookstore. 

As the Edwardian era fades into WWI, Cyril Dunstan, a man with a mysterious past, accepts the post as vicar in a small country town of Wrynbury. His benefactor and only ally, Anne Gladwyn, repeatedly attempts to assist the reticent and surly vicar with the task of reviving the dilapidated village church against all odds. Anne hopes to find some purpose to her dull and unsatisfying life as well as solve the mystery of the vicar’s history and demeanor. Their journals and accounts show the tenuous beginnings of a partnership that turns into a friendship then blossoms into a passionate emotional tie that could destroy all they have worked for. In a time when religious and social constructs would never allow the two to satisfy their desires, they must decide what to sacrifice in order to have happiness during the tumultuous early days of the 20th Century.