Author Insides - Mitchell Edgeworth

Mitchell Edgeworth was born and raised in the cultural wasteland of suburban Australia. He graduated from Curtin University in 2008 with a double degree in Professional Writing and Creative Writing, which has somehow failed to secure him a career. After teaching English in South Korea in 2009 and backpacking across Asia and Europe in 2010, he has returned to Australia.

His debut publication, short story "The City," appeared in the Autumn 2011 issue of The Battered Suitcase.


Mitch, when did you first realize you wanted to be a writer? 

I have no idea; it extends beyond my youngest memories.

Why do you write?

Escapism and creation.

Is being a writer anything like you imagined it would be?

It’s hard. It used to be a lot easier, when I was a kid, and didn’t care about what other people would think of my work.

What do you think makes a good story? 

Intrigue. It has to have a fascinating premise. As a reader, if my attention isn’t grabbed in the first few paragraphs of a short story, I’m gone.

What's your favorite genre to read? 

I’d prefer a really good sci-fi novel over a really good literary novel, but really good sci-fi novels are a lot rarer than really good literary novels.

Who is your favorite author or poet?

David Mitchell, hands down.

What books or stories have most influenced you the most as a writer?

Hard to say. I read a lot and I think I’ve developed a writing style that’s fairly generic and can’t be traced to any one author. I know that as I was growing up I certainly tried ripping off John Wyndham, John Christopher, Philip Reeve and Philip Pullman a lot. Reeve would definitely be the author whose descriptive style I try to emulate; he’s a fairly low-profile author of young adult fiction, but as a former illustrator, his ability to paint a picture with words is amazing.

What books or stories have most influenced you as a person? 

That’s an easier one. My understanding of human nature was hugely influenced by Calvin and Hobbes and Terry Pratchett’s Discworld series. By the time I read David Mitchell’s Cloud Atlas I was all grown up, but it lays out a manifesto for altruism that I greatly admire and would try to live by if I wasn’t so lazy and selfish.

Where/how do you find the most inspiration?

Other writer’s stories, and daydreaming.

What does your family think of your writing? 

It rarely comes up, which I’m fine with. I’m pretty self-conscious and I generally keep my writing to myself. My best friend is a musical composer and often gets annoyed at me because I’m the only other creative person he knows, but I feel uncomfortable discussing creative endeavours.

What is your work schedule like when you're writing?

I’m a night owl and tend to be most productive after midnight, when there are fewer distractions.

Do you have any writing quirks or rituals? 

No. I’m a pretty lazy writer and can’t really afford to have a set of requirements in place before getting some work done.

Is there anything you find particularly challenging in your writing?

Motivation, especially in the last few years. I have plenty of ideas for stories but never the desire to sit down and write them. Now that I’ve received the sweet, sweet validation of a published story, I’m hoping that will change.

What are your current projects?

For the last five or six years I’ve been working on an online serial novel. It’s an objectively terrible novel (which I won’t link to here) and because I’m a stubborn person it’s also the albatross around my neck distracting me from working on better projects. When I can ignore the albatross, I’m writing a series of short stories revolving around the crew of a dilapidated spaceship two hundred years in the future. Not the most original idea, but there’s something really fun about that Star Wars/Cowboy Bebop/Firefly idea of collecting an oddball crew of misfits and criminals on a ship and sending them off to have swashbuckling adventures.

What are you planning for future projects?

I do intend to eventually expand “The City” into a full-length novel. I also have faint ideas about a young adult adventure set in an alternate universe Australia.

Do you have any advice for other writers?

Bookmark Duotrope’s Digest (www.duotrope.com), a searchable database of pretty much every fiction journal and magazine. Way easier than trawling through Google and Wikipedia.

Where can we find your work? 

This is my first published story (thank you, by the way!) but I keep a blog at www.grubstreethack.wordpress.com. It’s mostly book reviews but there are also a few stories lying around there. I also kept a travelogue of my trip around Asia and Europe at www.gentlemenoftheroad.wordpress.com.

Author Insides - M. Shaw

M. Shaw has eaten two books in the course of its life: The Things They Carried and Little Women, in each case because it hoped to gain their powers. It has burned a number of others because it hoped to gain insight from their sacrifice. It is taking applications for a third book. Books are not to be eaten lightly. It is very hard to do.

Shaw’s surreal and hilarious short story ” Toccata and #&%$!!” appeared in the Autumn 2011 issue of The Battered Suitcase.

So, when did you first realize you wanted to be a writer? 

I don't want to be a writer. I really have done my best to avoid it, and have actually succeeded at giving it up for periods of time, but it keeps coming back like a smoker's cough. What I want to do is sit at home in my pajamas, eat cookie dough and splatter paint all over the walls, but I don't see that this scenario is forthcoming.

Why do you write?


Let's stick with the smoking metaphor. Being a writer is like being a smoker: those who aren't one consider it an offensive habit, but for those who are it's barely a habit at all. Just something you do, almost passively.

Is being a writer/poet anything like you imagined it would be?

The way things have gone, I honestly can't remember how I imagined my life would be when I was younger. I know that when I talk to people about being a writer, their conceptions of what it entails are almost never in any kind of line with reality. I asked a friend of mine how much he thought writers were paid for short stories and he said $20,000 (I told him, try $500 for top-shelf periodicals). I don't reckon my preconceived notions were much different back before.

What do you think makes a good story? 

*I think* the most important thing for a good story is for it to feel in some way organic. A lot of stories strive toward a certain point, a certain moral, try to tie up all loose ends and make everything have a point and purpose and be understood by the end, but that doesn't really work for me. They feel skeletal, like they've had all the meat picked off and been edited right down to the bone. Besides which, they just ring false: life doesn't work that way. I want to be reassured that life doesn't make sense, and I want to read stories that don't exactly end so much as leave me to think. My favorite joke goes like this: A severed head rolls into a convenience store and says (the joke doesn't end here but that's the best part so it's better to just imagine how awesome the rest must be).

What's your favorite genre to read? 

Does short story count as a genre? It's definitely what I read the most of. If I'm going to spend time on a new book, I figure an anthology with one good story will be better than a novel with one good chapter. Almost all of my favorite authors are ones I first encountered through their short stories. As far as which shelf it's on in the bookstore, most fictional genres do just fine, except that I'm very hard to impress with mysteries. I read historical fiction if I'm hanging out with historians and want to make them laugh. In nonfiction I enjoy psychology (but not pop-psychology) and social sciences.

Who is your favorite author or poet? 

Kelly Link. See also: What do you think makes a good story?

What books or stories have most influenced you the most as a writer?

Joanna Russ' The Female Man. Freud, mainly “The Uncanny,” “Totem and Taboo,” and The Interpretation of Dreams. Barthelme's ambitious 40 Stories and 50% more ambitious 60 stories. Gene Wolfe's The Fifth Head of Cerberus. Kelly Link again, particularly “The Girl Detective.” Kouhei Kadono's Boogiepop and Others. Angelica Gorodischer's Kalpa Imperial.

What books or stories have most influenced you as a person? 

Any number of biographies of Queen Elizabeth I of England. The 1818 version of Frankenstein. A certain book of poetry, This Brevity by Gianmarc Manzione. The writings of Munenori Yagyuu. Gaiman's The Sandman. Once again Kelly Link, particularly “Magic for Beginners.” Also The Communist Manifesto. Oh, and Susan Faludi's Backlash.

Where/how do you find the most inspiration?

Through sacrifice. Through striving toward harmony with nature. From involving myself in conversations but not saying anything. If you want to learn a lot about people, shut up.

What does your family think of your writing? 

They don't. I came from a puppy mill.

What is your work schedule like when you're writing? 

More like what's my writing schedule like when I'm working. I work second shift and my only form of transportation is a bicycle. But the thing is, my best writing gets done when I have very little time to do it and during the time I do have, I need to do it secretly, as if I were sitting in public looking at porn (when people see you writing they will sometimes want to talk to you about it and OH MY GOD). I sweat all the way downtown, hop into a cafe and scratch out a few pages, go to work for 8 hours, freeze my ass off back to the 'hood, scratch out a few more pages in a bar, edit on the weekend. Stuff gets done pretty slowly. “Tocatta” took 5 months just for a first draft.

Do you have any writing quirks or rituals? 

Ever seen Mystery Men with the invisible boy who can only turn invisible when nobody is looking at him, including himself? Yeah.

Is there anything you find particularly challenging in your writing?

What you need to understand is that I'm not really a person; I'm a dog. That I can write to begin with is a miracle.

What are your current projects?

Emigrating to England. Also I'm hot for meta-fiction and frame stories these days and experimenting with such, reading as well as writing. Plowing through Catherynne Valente's Orphan's Tales and finding a lot of good stuff.

What are you planning for future projects?

I want to try illustrating my own stories. I want to have a dream in which I kill one of my recurring nightmares.

Do you have any advice for other writers?

Try the patch. I'm not saying it will necessarily work, but at least you'll have tried. Write a story longhand and burn the only copy, to help yourself get used to letting go. You can save your rejections if you want to, but this strikes me as rather silly. Like they're some kind of currency or something.

Where can we find your work? 

I think people who enjoy “Tocatta and #&%$!!” should definitely check out “And Points Beyond” in the 2010 Semaphore Anthology (published by the e-zine of the same name, where the story appeared in June 2010) and “Uncle Rick” on the Nil Desperandum podcast. More of my work appears in the anthologies Sick Things (Comet Press) and Daily Flash 2011 (Pill Hill Press), or online at amphibi.us, 69 Flavors of Paranoia, and Bloody Bridge Review. I keep an up-to-date list of publications on my blog.